The Cutting Room · Reference

Prompt Craft: How to Write Prompts That Get the Shot

Great AI video starts with a great sentence. Here is how to write prompts that give you the shot you pictured, not the one the model guessed.

Keep this open while you build.

A prompt is a shot list, a casting call and a lighting plan in one breath. Write it loosely and the model fills the gaps with defaults. Write it with intent and it follows your lead. This page breaks prompt writing into habits you can use on every project, from a product ad to a short film.

How to use this: Pick the habit you need, paste the prompt into PPS, and fill the brackets with your own subject, place and mood. Change one slot at a time until the shot is yours.
01

The Five-Part Prompt

Five slots, every single time

The five-part prompt

Signature

Every strong shot answers five questions: who, doing what, where, seen how, and in what light. Miss one and the model guesses for you. Fill all five slots and the guessing stops.

PPS[Subject] [action] in [setting], [camera angle and movement], [lighting and mood]. One clear, continuous shot.

Subject first

Lead with who or what the shot is about. When the subject comes first, everything after it describes their world. Keep the description identical between takes so they stay recognizable.

PPS[Age and build] [person or object] with [one distinctive detail], [action], in [setting]. Medium shot, natural light.

Action as a verb

Stillness reads as a photograph. Give the subject one clear, physical verb and the shot comes alive. Pick a verb you could act out, not a feeling.

PPS[Subject] [physical verb, such as lifts, turns or pours] [object] in [setting], the motion slow and deliberate, [camera framing].

Light and mood close it out

Light is where mood lives. Name the source, the direction and the color, and the emotion follows. Golden window light from the left says more than warm and cozy ever will.

PPS[Subject] [action] in [setting], lit by [light source] from [direction], [color temperature] tones, [mood word] atmosphere.
02

Precision

Say less, mean more

Specific nouns over adjectives

Signature

Adjectives are vague and nouns are pictures. A cracked leather armchair beats a beautiful old chair because the model can actually draw it. Swap every adjective you can for a thing.

PPS[Subject] beside a [specific object with material and condition] in a [specific room or place], [specific prop] in the foreground, [camera framing], [light source].

One shot, one idea

A shot that tries to say three things says nothing. Give each generation a single beat: a look, a reveal, a gesture. Stack ideas across shots, not inside one.

PPS[Subject] [single action] and nothing else happens, [camera framing] holding steady, [lighting]. One beat, one moment.

Negative space in prompts

What you leave out matters as much as what you put in. Every extra detail competes for attention in the frame. Cut anything that does not serve the moment and the shot breathes.

PPS[Subject] alone in [minimal setting], wide empty space around them, [single light source], [camera framing]. Clean, uncluttered frame.
03

References

Show it instead of describing it

Reference images

Signature

Some looks are hard to put into words. A reference image carries palette, wardrobe and composition in a single upload. Use the image for the look and the prompt for the motion.

PPSUsing the reference image for [palette, wardrobe or composition], show [subject] [action] in [setting], [camera movement]. Keep the look of the reference.

A real person, consistent

When the story needs a real person, a video reference lets them appear consistently in generated scenes. Film a short clip of the person, then direct them into new places. Your audience sees you, not a stand-in.

PPSUsing the video reference of [person], show them [action] in [setting], [camera framing], [lighting]. Keep their face, build and wardrobe consistent.

Build the cast before you shoot

Director Mode lets you direct a film shot by shot with a cast. Define each character once, in detail, before the first shot. Every later prompt just names them and gets on with the scene.

PPSCast: [character name], [age, look, wardrobe, one signature detail]. Shot: [character name] [action] in [setting], [camera framing], [lighting].
04

Iteration

Change one thing at a time

One variable at a time

Signature

Change the light, the lens and the setting at once and you will never know which one worked. Lock everything, adjust a single slot, and compare. Small changes teach you fast.

PPSSame prompt as the last take, change only [one slot: subject, action, setting, camera or light] to [new value]. Keep every other word identical.

Draft cheap, then finalize

Explore with short, rough takes before you commit to the long one. Find the framing and the motion first, then spend your effort on the version that matters. Seedance 2.5 can carry a finished idea up to 30 seconds in one continuous take with native audio.

PPSDraft: [subject] [action] in [setting], [camera], short test take. Final: the same prompt as one continuous take with [audio cue] and [lighting refinement].

Keep a prompt log

Your best prompt is the one you can find again. Save every keeper with a note on what you changed and why. Over time the log becomes your personal style guide.

PPSKeeper: [prompt text]. Changed: [slot] from [old value] to [new value]. Result: [what improved]. Use next for: [project type].
Write your first prompt in PPS ›
From The Cutting Room, the daily from Pray Production Studio. One tip, one minute.